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Sweeney Todd: The Demon Barber of Fleet Street

  • Writer: Peter Todd
    Peter Todd
  • Feb 17, 2022
  • 2 min read

Anthony (Cover), Ensemble

Oxford Playhouse

Directed by Imogen Albert

Music Direction by Isaac Adni



I've always wanted to do a production of Sweeney Todd. It's often hailed as one of the greatest musicals of all time, and I can see why. The music is so challenging, the staging is difficult and the characterisation is intense. I knew from the outset that this would present a completely unique opportunity to test my skills. And to bring it all to life somewhere like the Oxford Playhouse would be an experience I would never forget.


What I did not realise when I signed up for the show, was that I would be thrown head first into the deep end. I was thrilled to be cast as a member of the ensemble, but less than two days before opening night, our Anthony tested positive for Covid-19 and was unable to take to the stage for the first three performances of the show. I was asked to step in during his absence. Those of you who are familiar with the show will know that Anthony's music contains a lot of words in not a lot of time. What proceeded then can only be described as a whirlwind of chaos - learning the music, dialogue and blocking for one of the lead characters in the show in less than 48 hours before opening night is no mean feat.


It was so exhilarating but so terrifying to take on. The support of the entire cast and crew was monumental and stands testament to what can be achieved when a group of people all pull together in an emergency. All that was on my mind was not distracting from the incredible performances on display, and I think, thankfully, I managed to accomplish just that. A truly unforgettable experience.


Peter Todd stepped into the role of Anthony with a truly exemplary performance… Todd’s characterisation was never hindered by this last-minute responsibility. He approached the role with a charming innocence and his ardent love for Johanna was an endearing distraction from the horror of the plot. The young lovers were delightful to watch.

~Erin Broadhurst, The Oxford Blue

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